2024 and current projects
The Heart is an Empty Membrane (15’) — heartbeat, field recordings, poetry, live electronics — written for myself, premiere Belgrave Music Hall, Leeds, 14 May 2024
REQUIEM (performance-installation) — open instrumentation, staging, audio — written for LSTwo, premiere at the University of Leeds, 3 May 2024
As the space functions without me (30’) — AATT soloists, spatialised choir, audio — written for Leodis Consort, premiere in Leeds, 13 April 2024
They no longer call my name. (They no longer even use my name.) (10’) — mezzo-soprano, audio — written for Lotte Betts-Dean
2023
HEKATE'S VOICES (40’) — multitracked piano, audio — written for Kate Ledger, premiered at Left Bank, Leeds, 28 November 2023
Undoing (4’30”) — two violins, bass flute, bass clarinet, piano, audio — written for United Instruments of Lucilin, premiered at neimënster, Luxembourg, 25 November 2023
ATRIUM HARVEST (performance-installation) — spatialised performers with amplified heartbeats — written for Alexandre Silva, Ling Zhang, Matt LeVeque, and Tomo, premiered at Edith-Stein Schule, Darmstadt, 18 August 2023
(i finally understand) (4’) — two euphoniums, audio — written for Kalun Leung and Ayaka Sato, premiered at Lichtenbergschule, Darmstadt, 17 August 2023
SUB ECLIPSE BLOOD WORK (8’) — harp, humming, audio — written for Jenna Vergeynst, premiered at Akademie für Tonkunst, Darmstadt, 11 August 2023
CONSTELLATION SPECTRE (7’) — AATT soloists and choir — written for The Clothworkers Consort of Leeds, premiered at Clothworkers Centenary Concert Hall, Leeds, 28 May 2023
… as far as… unloving still… down on your stomach… (26’) — contrabass flute, two bass clarinets, two double basses, and plaits of heartbeats — written for Octandre Ensemble
CANDLE AMONGST BOXES (6’) — a triptych of vocal and bodily noises — written for Stephanie Lamprea, premiered at Clothworkers Centenary Concert Hall, Leeds, 10 February 2023
The Fountain (After Grace II) (11’) — violin, viola, cello — written for Northumbria String Trio, premiered at University of Newcastle, 11 January 2023
2022
FOURFOLD (14’) — electric guitar, alto flute, heartbeats Soundbrenner Core devices, audio — devised with Kathryn Williams, premiered at Clothworkers Centenary Concert Hall, Leeds, 13 December 2022
The Fountain (… through your wooden spine…) (10’30”) — bass clarinet, voice, audio — written for Alex Lyon
… TO TURN YOURSELF INSIDE OUT… (45’) — suite of four electroacoustic works comprising electric guitar, field recordings, heartbeats, and vocals — premiered at Iklectik, 6 September 2022
… grown up, you are grown, and feeling stronger, feeling… (26’) — tuba, heartbeats, live electronics/audio — written for Jack Adler-McKean, premiered at Lichtenbergschule, Darmstadt, 14 August 2023
… in the corning moaning, “Can’t you write… (3’30”) — soloist with amplified heartbeat — written for Brian Archinal, premiered at Clothworkers Centenary Concert Hall, Leeds, 17 March 2022
2/15ths (1’30”) — bass flute, heartbeat — written for Kathryn Williams, premiered at Clothworkers Centenary Concert Hall, Leeds, 11 February 2022
For Kathryn Williams (1’) — flute, paint, and canvas — written for Kathryn Williams, premiered at Clothworkers Centenary Concert Hall, Leeds, 11 February 2022, rescheduled from March 2020
2021
Bodies In-Between — participatory listening workshop — created with Kate Ledger
A Collection of Fragments for Carlos (5’) — bass clarinet, spatialised live heartbeats — written for Carlos Cordeiro, premiered at Clothworkers Centenary Concert Hall, Leeds, 6 November 2021
… sand… core of… bones… (3’20”) — acoustic guitar, four stagehands, audio – written for Seth Josel, premiered at Clothworkers Centenary Concert Hall, Leeds, 5 November 2021
In fact, what doesn't show, really, is more important than what does show (7’) — guitar, cello, voice — written for me and Roxanna Albayati over a few days of simultaneous isolation
SUMMONING (performance-installation) — open instrumentation — written for Unfolding[s], premiered at The Middle Floor, Leeds, for 11 hours from 19–20 June 2021
… murmur upon murmur upon murmur upon… (5’) — multi-tracked cello, audio — written for Anton Lukoszevieze
… to notice autumn aromas, through… (12’) — multi-tracked clarinet — written for Heather Roche
… they conjure aglow, movements… (open duration) — piano, audio — written for Kate Ledger
twelve seasons’ — collection of multimedia works created with Ryoko Akama