2026
22 November — The Cloud of Unknowing and If you’ve made your peace, then the devils are really angels freeing you from the earth., performed by students of Chetham’s School of Music, Stoller Hall, Manchester
12 November — SUB ECLIPSE BLOOD WORK (subsiding/waning), performed by Duo Vireo, SMOG, Brussels
6 November — I no longer want to listen, launch party, released through Infinite Expanse, performed by Terra Invisus, London
25 October — Mutism, launch party, released through Another Timbre, performed by Tahdig, London
22 October — If you’ve made your peace, then the devils are really angels freeing you from the earth., performed by students of Chetham’s School of Music, Stoller Hall, Manchester
15 October — review of Bled Contemporary Music Week 2026, ‘The Numbness of New Music’, and ‘Grief as a Prism: Reflections on The Sad Album’ published in Tempo
5 October — I feel like an echo—nothing else, I don’t think, performed by Kate Ledger, Hidden Track, Sheffield
4 August — SUB ECLIPSE BLOOD WORK, performed by Gunnhildur Einarsdóttir, Danish New Music Academy, Aarhus
15 July — review of Wittener Tage für neue Kammermusik 2026 and ORBIT: Festival für aktuelles Musiktheater published in Tempo
9–10 July — presentation titled ‘The Body as it Dreams, Musicks, and Listens’ presented RMA Music and Philosophy Conference, as part of the ‘Liminal Musicking’ panel
2 July — Aural Liminalities in New Music published by Cambridge University Press
19–26 June — workshop leader and writing tutor at Bled Contemporary Music Week, Slovenia
19 May — Inner Music for The Tempest, Hatfield College Chapel, Durham
8 May — Vestibule released through Thanatosis
22–27 April — International Visitors Programme, NRW Kultur International
13–17 April — Visiting Guest Lecturer at the University of Malta
20 March — ‘Voice and Register: Composing from Love’s Work’ in Promise and Perdition in the Thought of Gillian Rose published by CRMEP Books
2 February — … grown up, you are grown, and feeling stronger, feeling…, performed by Jack Adler-McKean, Hidden Track, Sheffield
22 January — ‘The Sensations of Disconnection: A profile of composer and conductor Jack Sheen’ published in VAN Magazine
2025
14 November — presentation titled ‘The Matter of Hearts: On Composing with Materials and Evocations’ and performance of The Heart is an Empty Membrane, KSYME, Greece
25 July — I feel like an echo—nothing else, I don’t think, performed by Kate Ledger, Northern Quarter, Huddersfield
19 June — presentation about They no longer call my name. (They no longer even use my name.) at The Gillian Rose Memorial Lecture Conference 2025, Swedenborg Hall, London
1 June — The Heart is an Empty Membrane and For Kathryn Williams, performed by Kathryn Williams, KM28, Berlin
31 May — For Kathryn Williams, performed by Kathryn Williams, Akademie der Künste, Berlin
28 May — SUB ECLIPSE BLOOD WORK (subsiding/waning), performed by Duo Vireo, VOLTA, Brussels
22 May — They no longer call my name. (They no longer even use my name.), performed by Lotte Betts-Dean, Norfolk and Norwich Festival
23 April — … grown up, you are grown, and feeling stronger, feeling…, performed by Jack Adler-McKean, Scen46 as part of Levande, Gothenberg
28 March — Hex for silence, performed by Ben Finlay, Common Space, Bradford
3 March — Hex for silence, performed by Anton Lukoszevieze, University of Leeds
13 February — The Heart is an Empty Membrane, Thackray Museum of Medicine, Leeds
2024
23 November — DEGENERATE HEAVENLY BODIES, KSYME, Greece
20 November — HEKATE’S VOICES, presentation of 7.1 mix, PlayLab, Sweden
2 November — I no longer want to listen, performed by Terra Invisus, University of Leeds
25 October — Being, performed by Marsyas Trio, University of Leeds
24–25 October — DEGENERATE HEAVENLY BODIES, Light Night Leeds
25 July — Chorus member for Waste Paper Opera’s Dead Cat Bounce, Nottingham Contemporary
5 July — For Kathryn Williams, performed at Ażtak Festival, Warsaw
15 May — The Heart is an Empty Membrane, Belgrave Music Hall, Leeds
9 May — REQUIEM, performed by LSTwo, University of Leeds
28 April — curated and performed at لفلسطین For Palestine with Roxanna Albayati, an event in aid of Palestine, Hyde Park Book Club, Leeds
13 April — As the space functions without me, performed by Leodis Consort, Left Bank, Leeds
20 March — They no longer call my name. (They no longer even use my name.), performed by Lotte Betts-Dean, University of Leeds
15 February — hosted workshop with Lucy Railton, University of Leeds
2023
16–25 November — Composer participant at Luxembourg Composition Academy, Philharmonie Luxembourg
18 August — writing and guitars provided for Sockethead’s AVALANCHE, Cafe Oto, London
5–20 August — Composer participant at Darmstadt International Summer Course for New Music
3–7 July — Musicology Fellow at Tzlil Meudcan
28 May — CONSTELLATION SPECTRE, performed by The Clothworkers Consort of Leeds, University of Leeds
18 May — FOURFOLD, performed by me and Kathryn Williams, Iklectik, London
14 February — … they conjure aglow, movements…, performed by Kate Ledger, University of Leeds
10 February — CANDLES AMONGST BOXES, performed by Stephanie Lamprea, University of Leeds
10–12 January — Composition workshop with Trio Northumbria, at RMA/BFE Research Students' Conference 2023, Northumbria University
2022
13 December — FOURFOLD, performed by me and Kathryn Williams, University of Leeds
8 November – Composition workshop with Mira Benjamin, University of Leeds
6 September — INTRA—, presentation of … TO TURN YOURSELF INSIDE OUT… for both headphones and 3D sound, Iklectik, London
July–September — Research Residency at Iklectik, London
4–8 July — Musicology Fellow at Tzlil Meudcan
9–10 June — Conference paper/workshop with Kate Ledger titled ‘Borderlands of the Self: Liminality, Bodies, and Listening’, at Borderlands: Postcolonial Formations of Connection and Separation, University of Leeds
29–30 April — Conference paper/workshop with Kate Ledger titled ‘Bodies In-Between: an extract from our embodied listening/awareness workshop’, at Durham Castle Conference, University of Durham
17–20 March — Conference paper titled ‘Bodies In-Between Themselves and Each Other: Rethinking Musical Liminality for Guitar’, at The 21st Century Guitar, Ball State University, Indiana
17 March — … in the corner moaning, “Can’t you write…, performed by Brian Archinal, University of Leeds
11 February — For Kathryn Williams and 2/15ths, performed by Kathryn Williams, University of Leeds
6–8 January — Conference paper titled ‘Bodies In-Between Themselves: Rethinking Musical Liminality for the Clarinet’, at BFE/RMA Students’ Conference 2022, University of Plymouth
2021
13 December — Bodies In-Between, workshop and performance by me, Kate Ledger, and Neil Luck, Dai Hall, Huddersfield
6 November — A Collection of Fragments for Carlos, performed by Carlos Cordeiro, University of Leeds
5 November — … sand… core of… bones…, performed by Seth Josel, University of Leeds
19 June — SUMMONING, Wharf Chambers
17 April — … to notice autumn aromas, through…, performed by Heather Roche, online
16–17 April — Conference paper titled ‘Excavating Thresholds on the Search for Precarity: Composing Multiphonics for Heather Roche’, at Vibrant Practices: Material Agency and Performative Ontologies, University of Leeds
9 April — … they conjure aglow, movements…, performed by Kate Ledger, online
18–19 March — Conference paper titled ‘Between Focus: Liminality as a Productive Site for Collaborative Improvisation’ at The Improviser’s Experience: Knowledge, Methodology, Communication, University of Huddersfield
11 March — shadows paralysed into my back, University of York Piano Ensemble, YouTube
18 February — Organised a talk from Pamela Z through CePRA, University of Leeds
2020
16 June — shadows paralysed into my back, performed by Roxanna Albayati, Prelude to New Lights Festival, London
11 June — shadows paralysed into my back, performed by Reanimation Orchestra, Hošek Contemporary, Berlin
2019
13 November — Composition workshop with Séverine Ballon, University of Leeds
23–28 October — Soundings with Apartment House at CAMP
16–18 October — Experiencing Time/Timing Experience, workshop, performance, and installation, University of Leeds
1 September — Listening to Landscapes: An Odstock Soundwalk
16 February — Composition workshop with LoveMusic, University of Leeds
2018
29 April — Conference paper titled ‘Clouded Transformation and Temporal Disorientation in Bryn Harrison’s Rise (2003)’, at Graduate Student Theory Conference, Manhattan School of Music, NYC
2016
5–14 July — Composer participant in Irish Composition Summer School