2024
23 November — DEGENERATE HEAVENLY BODIES, presentation of stereo mix, KSYME, Greece
20 November — HEKATE’S VOICES, presentation of 7.1 mix, PlayLab, Sweden
2 November — I no longer want to listen, performed by Terra Invisus, University of Leeds
25 October — Being, performed by Marsyas Trio, University of Leeds
24–25 October — DEGENERATE HEAVENLY BODIES, Light Night Leeds
25 July — Chorus member for Waste Paper Opera’s Dead Cat Bounce, Nottingham Contemporary
5 July — For Kathryn Williams, performed at Ażtak Festival
15 May — The Heart is an Empty Membrane, Belgrave Music Hall, Leeds
9 May — REQUIEM, performed by LSTwo, University of Leeds
28 April — curated and performed لفلسطین For Palestine with Roxanna Albayati, an event in aid of Palestine, Hyde Park Book Club, Leeds
13 April — As the space functions without me, performed by Leodis Consort, Left Bank, Leeds
20 March — They no longer call my name. (They no longer even use my name.), performed by Lotte Betts-Dean, University of Leeds
15 February — hosted workshop with Lucy Railton, University of Leeds
2023
16–25 November — Composer participant at Luxembourg Composition Academy, Philharmonie Luxembourg
18 August — writing and guitars provided for Sockethead’s AVALANCHE, Cafe Oto, London
5–20 August — Composer participant at Darmstadt International Summer Course for New Music
3–7 July — Musicology Fellow at Tzlil Meudcan
28 May — CONSTELLATION SPECTRE, performed by The Clothworkers Consort of Leeds, University of Leeds
18 May — FOURFOLD, performed by me and Kathryn Williams, Iklectik, London
14 February — … they conjure aglow, movements…, performed by Kate Ledger, University of Leeds
10 February — CANDLES AMONGST BOXES, performed by Stephanie Lamprea, University of Leeds
10–12 January — Composition workshop with Trio Northumbria, at RMA/BFE Research Students' Conference 2023, Northumbria University
2022
13 December — FOURFOLD, performed by me and Kathryn Williams, University of Leeds
8 November – Composition workshop with Mira Benjamin, University of Leeds
6 September — INTRA—, presentation of … TO TURN YOURSELF INSIDE OUT… for both headphones and 3D sound, Iklectik, London
July–September — Research Residency at Iklectik, London
4–8 July — Musicology Fellow at Tzlil Meudcan
9–10 June — Conference paper/workshop with Kate Ledger titled ‘Borderlands of the Self: Liminality, Bodies, and Listening’, at Borderlands: Postcolonial Formations of Connection and Separation, University of Leeds
29–30 April — Conference paper/workshop with Kate Ledger titled ‘Bodies In-Between: an extract from our embodied listening/awareness workshop’, at Durham Castle Conference, University of Durham
17–20 March — Conference paper titled ‘Bodies In-Between Themselves and Each Other: Rethinking Musical Liminality for Guitar’, at The 21st Century Guitar, Ball State University, Indiana
17 March — … in the corner moaning, “Can’t you write…, performed by Brian Archinal, University of Leeds
11 February — For Kathryn Williams and 2/15ths, performed by Kathryn Williams, University of Leeds
6–8 January — Conference paper titled ‘Bodies In-Between Themselves: Rethinking Musical Liminality for the Clarinet’, at BFE/RMA Students’ Conference 2022, University of Plymouth
2021
13 December — Bodies In-Between, workshop and performance by me, Kate Ledger, and Neil Luck, Dai Hall, Huddersfield
6 November — A Collection of Fragments for Carlos, performed by Carlos Cordeiro, University of Leeds
5 November — … sand… core of… bones…, performed by Seth Josel, University of Leeds
19 June — SUMMONING, Wharf Chambers
17 April — … to notice autumn aromas, through…, performed by Heather Roche, online
16–17 April — Conference paper titled ‘Excavating Thresholds on the Search for Precarity: Composing Multiphonics for Heather Roche’, at Vibrant Practices: Material Agency and Performative Ontologies, University of Leeds
9 April — … they conjure aglow, movements…, performed by Kate Ledger, online
18–19 March — Conference paper titled ‘Between Focus: Liminality as a Productive Site for Collaborative Improvisation’ at The Improviser’s Experience: Knowledge, Methodology, Communication, University of Huddersfield
11 March — shadows paralysed into my back, University of York Piano Ensemble, YouTube
18 February — Organised a talk from Pamela Z through CePRA, University of Leeds
2020
16 June — shadows paralysed into my back, performed by Roxanna Albayati, Prelude to New Lights Festival, London
11 June — shadows paralysed into my back, performed by Reanimation Orchestra, Hošek Contemporary, Berlin
2019
13 November — Composition workshop with Séverine Ballon, University of Leeds
23–28 October — Soundings with Apartment House at CAMP
16–18 October — Experiencing Time/Timing Experience, workshop, performance, and installation, University of Leeds
1 September — Listening to Landscapes: An Odstock Soundwalk
16 February — Composition workshop with LoveMusic, University of Leeds
2018
29 April — Conference paper titled ‘Clouded Transformation and Temporal Disorientation in Bryn Harrison’s Rise (2003)’, at Graduate Student Theory Conference, Manhattan School of Music, NYC
2016
5–14 July — Composer participant in Irish Composition Summer School