2026 and current projects
Mutism (40’) — violin, viola, cello, bass flute, bass clarinet, piano — an album of chamber works conducted by Niki Zohdi
The kind of quiet found at the bottom of the stairs
We are like ships in the dark (I fucking hate you)
My bedroom
Mishearing and rotting
On choosing to leave
2025
I feel like an echo—nothing else, I don’t think (4') — accordion, voice note — written for Kate Ledger, premiered at Northern Quarter, Huddersfield, 25 July 2025
SUB ECLIPSE BLOOD WORK (subsiding/waning) (25') — two harps, humming, audio — expansion of solo piece for Duo Vireo, premiered at VOLTA, Brussels, 28 May 2025
The Indentation, The Mobile, The Suppression (1'30'', 3', 1'40'') — cello, piano, audio — written for Ben Finlay
Hex for silence (3') — cello, audio — written for Anton Lukoszevieze, premiered at the University of Leeds, 3 March 2025
2024
HEKATE’S VOICES: Severance (7') — video and audio made with Kate Ledger and Angie Guyton — uploaded 11 November 2024
I no longer want to listen (25') — bass clarinet, cello, piano, audio — a collection of works for Terra Invisus, premiered at the University of Leeds, 2 November 2024
Being (5') — bass flute, cello, piano, audio — written for Marsyas Trio, premiered at the University of Leeds, 25 October 2024
DEGENERATE HEAVENLY BODIES (5') — acousmatic work with accompanying light installation by Paul Miller — written for Light Night Leeds, 24–25 October 2024
The Heart is an Empty Membrane (15') — heartbeat, field recordings, poetry, live electronics — written for myself, premiered Belgrave Music Hall, Leeds, 14 May 2024
REQUIEM (performance-installation) — open instrumentation, staging, audio — written for LSTwo, premiered at the University of Leeds, 3 May 2024
As the space functions without me (30') — AATT soloists, spatialised choir, audio — written for Leodis Consort, premiered at Left Bank, Leeds, 13 April 2024
They no longer call my name. (They no longer even use my name.) (7') — mezzo-soprano, audio — written for Lotte Betts-Dean, premiered at the University of Leeds, 20 March 2024
2023
HEKATE'S VOICES (40') — multitracked piano, audio — written for Kate Ledger, premiered at Left Bank, Leeds, 28 November 2023
Undoing (4'30'') — two violins, bass flute, bass clarinet, piano, audio — written for United Instruments of Lucilin, premiered at neimënster, Luxembourg, 25 November 2023
ATRIUM HARVEST (performance-installation) — spatialised performers with amplified heartbeats — written for Alexandre Silva, Ling Zhang, Matt LeVeque, and Tomo, premiered at Edith-Stein Schule, Darmstadt, 18 August 2023
(i finally understand) (4’) — two euphoniums, audio — written for Kalun Leung and Ayaka Sato, premiered at Lichtenbergschule, Darmstadt, 17 August 2023
SUB ECLIPSE BLOOD WORK (8') — harp, humming, audio — written for Jenna Vergeynst, premiered at Akademie für Tonkunst, Darmstadt, 11 August 2023
CONSTELLATION SPECTRE (7') — AATT soloists and choir — written for The Clothworkers Consort of Leeds, premiered at Clothworkers Centenary Concert Hall, Leeds, 28 May 2023
… as far as… unloving still… down on your stomach… (26') — contrabass flute, two bass clarinets, two double basses, and plaits of heartbeats — written for Octandre Ensemble
CANDLE AMONGST BOXES (6') — a triptych of vocal and bodily noises — written for Stephanie Lamprea, premiered at Clothworkers Centenary Concert Hall, Leeds, 10 February 2023
The Fountain (After Grace II) (11') — violin, viola, cello — written for Northumbria String Trio, premiered at University of Newcastle, 11 January 2023
2022
FOURFOLD (14') — electric guitar, alto flute, heartbeats Soundbrenner Core devices, audio — devised with Kathryn Williams, premiered at Clothworkers Centenary Concert Hall, Leeds, 13 December 2022
The Fountain (… through your wooden spine…) (10'30'') — bass clarinet, voice, audio — written for Alex Lyon
… TO TURN YOURSELF INSIDE OUT… (45') — suite of four acousmatic works comprising electric guitar, field recordings, heartbeats, and vocals — premiered at Iklectik, 6 September 2022
… grown up, you are grown, and feeling stronger, feeling… (26') — tuba, heartbeats, live electronics/audio — written for Jack Adler-McKean, premiered at Lichtenbergschule, Darmstadt, 14 August 2023
… in the corning moaning, “Can’t you write… (3'30'') — soloist with amplified heartbeat — written for Brian Archinal, premiered at Clothworkers Centenary Concert Hall, Leeds, 17 March 2022
2/15ths (1'30'') — bass flute, heartbeat — written for Kathryn Williams, premiered at Clothworkers Centenary Concert Hall, Leeds, 11 February 2022
For Kathryn Williams (1') — flute, paint, and canvas — written for Kathryn Williams, premiered at Clothworkers Centenary Concert Hall, Leeds, 11 February 2022, rescheduled from March 2020
2021
Bodies In-Between — participatory listening workshop — created with Kate Ledger
A Collection of Fragments for Carlos (5') — bass clarinet, spatialised live heartbeats — written for Carlos Cordeiro, premiered at Clothworkers Centenary Concert Hall, Leeds, 6 November 2021
… sand… core of… bones… (3'20'') — acoustic guitar, four stagehands, audio – written for Seth Josel, premiered at Clothworkers Centenary Concert Hall, Leeds, 5 November 2021
In fact, what doesn't show, really, is more important than what does show (7') — guitar, cello, voice — written for me and Roxanna Albayati over a few days of simultaneous isolation
SUMMONING (performance-installation) — open instrumentation — written for Unfolding[s], premiered at The Middle Floor, Leeds, for 11 hours from 19–20 June 2021
… murmur upon murmur upon murmur upon… (5') — multi-tracked cello, audio — written for Anton Lukoszevieze
… to notice autumn aromas, through… (12') — multi-tracked clarinet — written for Heather Roche
… they conjure aglow, movements… (open duration) — piano, audio — written for Kate Ledger
twelve seasons’ — collection of multimedia works created with Ryoko Akama