Articles
[FORTHCOMING] What’s the Point in Reading? On Postcritique and ‘The New Discpline', Tempo
Jennifer’s Jokes: Contextualising ‘The New Discipline’ / Jennifers Witz: Ein Context für ‘The New Discipline’, Positionen, February 2024, 24–25 (English online, German in print; translated by Michael Steffens)
Identity through Difference in Beat Furrer’s Lotófagos (2007), Tempo, 78.307 (January 2024), 8–19
New Liminalities: Beat Furrer at 70, Tempo, 78.307 (January 2024), 6–7
Borderlands: Liminality, Bodies, and Listening, Americas: A Hemispheric Music Journal, 31 (2022/3), 59–66
The Strong Silent Type: Masculinity and Wandelweiser Music, Tempo, 75.296 (April 2021), 21–33
Listening from the in-between: The influence of sound on homelessness as a liminal space, SoundEffects, 10.1 (2021), 91–106
Reviews
[FORTHCOMING] Jennifer Walshe: URSONATE%24, Tempo, 79.312 (April 2025)
[FORTHCOMING] Oliver Leith: Last Days, Tempo, 79.311 (January 2025)
Ekmeles: We Live the Opposite Daring, Tempo, 78.310 (October 2024), 84–85
Daniel M. Karlsson: Mapping the Valleys of the Uncanny, Tempo, 78.309 (July 2024), 108–109
Eden Lonsdale: Clear and Hazy Moons, Tempo, 77.306 (October 2023), 124–125
Andrew Greenwald: A Thing Made Whole, Tempo, 77.304 (April 2023), 97–98
Bryn Harrison: Three Description of Place and Movement, Tempo, 77.303 (January 2023), 103–104
Other
Artwork in Tempo, 78.307 (January 2024)
Score for …grown up, you are grown, and feeling stronger, feeling… through Edition Gravis
Artwork in Tempo, 77.305 (July 2023)
Photographs in Horizon, #3 (August 2021)
PhD Thesis
From the In-Between: A Portfolio of Original Compositions and Commentary, University of Leeds, 2024